To What Depths, Installation view, The Great Highway Gallery, San Francisco, CA, 2019. Image: Phillip Maisel
To What Depths
Past is Present, Ink, watercolor, acrylic, gesso, pen, pencil, powdered graphite, 11 x 14 in., 2018
Doves from the Inside Like Teeth, Ink, watercolor, acrylic, gesso, pen, pencil, powdered graphite, 14 x 11 in., 2018
To What Depths, Installation view, The Great Highway Gallery, San Francisco, CA, 2019. Image: Phillip Maisel
Nothing Can Travel Faster Than Light, Ink, watercolor, acrylic, gesso, pen, pencil, powdered graphite, 40 x 26 in., 42 ¼ x 29 3/4 in. (framed), 2018. Image: Phillip Maisel
The Ocean is a Universe/The Universe is an Ocean, Installation, Vellum, acrylic paint, 105 x 80 x 96 in., 2019. Images: Phillip Maisel
Study, No. 4, Ink, watercolor, acrylic, gesso, pen, pencil, powdered graphite, 11 x 8 1/2 in., 2018
Study, No. 1, Ink, watercolor, acrylic, gesso, pen, pencil, powdered graphite, 13 1/2 x 9 in., 2018
Not This Surface/Light, Archival pigment print, 18 x 24 in., 2018
Not This Surface/Islands, Archival pigment print, 18 x 24 in., 2018
Not This Surface/Planet, Archival pigment print, 18 x 24 in., 2018
Wash Over, Wash Away, Ink, watercolor, acrylic, gesso, pen, pencil, powdered graphite, 22 ¼ x 30 in., 24 x 32 in. (framed), 2019. Image: Phillip Maisel
This Rare Frequency, Ink, watercolor, acrylic, gesso, pen, pencil, powdered graphite, 22 ¼ x 30 in., 2019. Image: Phillip Maisel
The Ocean is a Universe/The Universe is an Ocean, Vellum, acrylic paint, 28 x 22 in., 2019. Image: Phillip Maisel
Lost in the Low Tide, Archival pigment print, 24 x 27 in., 2018
Study, No. 3, Ink, watercolor, acrylic, gesso, pen, pencil, powdered graphite, 12 x 9 in., 2018
Study, No. 2, Ink, watercolor, acrylic, gesso, pen, pencil, powdered graphite, 12 x 9 in., 2018
Not This Surface/Muscle, Archival pigment print, 24 x 18 in., 2018
Not This Surface/Spine, Archival pigment print, 24 x 18 in., 2018
The Ocean is a Universe/The Universe is an Ocean, Installation and detail, Vellum, acrylic paint, 105 x 80 x 96 in., 2019. Images: Phillip Maisel
